History, literature and reception aesthetics: comparative analysis of the representation of the black person in Othello and the mulatto

Academic papers on comparative literature.

Title: History, literature and reception aesthetics: comparative analysis of the representation of the black person in Othello and the mulatto Authors: Soares, Ozana Paulino Abstract: The present study seeks to conduct a comparative study between the literary works of Othello and O mulatto, focusing on the black person’s representation. At the same time making a bridge with the lines of thoughts inherent in the study. During the text, aspects that speak of the theoretical basis of our comparative study will be found. As are also exposed relevant themes for the construction of innovative and critical ideas, part of the same premise, but that will succeed as originals. Both literary history and culturalism and reception aesthetics were fundamental to the theoretical basis of the text in reference. Description: SOARES, O. P. History, literature and aesthetics of reception: comparative analysis of the representation of the black person in Othello and the mulatto. 2013. 46f. Course Conclusion Work (Especialization in Comparative Literature) – Universidade Estadual da Paraíba, Guarabira, 2013.

Original source: Specialization in Literature Compared – UEPB

Writing Comment: The comparative analysis of the representation of the black person in literary works such as Othello and Mulato is extremely important for understanding the complexities and nuances of the construction of black characters in literature. By exploring the different approaches and representations of these individuals, it is possible to reflect on the historical, cultural and aesthetic issues involved in this process. Soares’ research brings to light not only a critical reflection on the works themselves, but also makes room for the development of innovative and original ideas from these comparative analyses. It is essential to consider the historical and cultural context in which these works were produced, as well as the influence of culturalism and reception aesthetics in the way they are interpreted by the public. Ultimately, this analysis contributes to broaden the debate and understanding of the representation of the black person in the literature.

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